Since the 1980s Michel Verjux has directed our view on the emptiness, on a space, on a detail of this specific space and on ourselves. Through simple, but efficient white light projections of recurring circles, sometimes rectangular forms, fractured or broken through objects or architectural elements, the artist forces us to redefine our environment, the visual process and the materiality of the artwork. In this exhibition Michel Verjux intervenes in the particular context of the Tieranatomisches Theater.